Sunday, October 2, 2011
a life in music... (extracts)
Saturday, October 1, 2011
Home Pasta
Not that we always had pasta at home, not that my receipe is special in some way, but because of the way I was taught to cook it. The method is strictly tied to the workings of home... and I'm forced to re-imagine a lazy Sunday back in JB.
You always put the fire right at the LOWEST setting from the start - because mom has SHARP ears. She can pick up the sound of a sizzling saucepan even when she's out in the garden. And she'd immediately call out to me.
"Turn down the fire or it'll splatter!!"
Yes, mom. So the fire is always at the lowest. Let the diced onions slowly saute in the pan with only a little oil, until they get soft. How'd you know they were good? When you tap a wooden spatula on the pile of cooking onions, and it wouldnt feel hard to the tap. That's what mom said.
Then you add the meat, stirring as you do so, to ensure that there's as LITTLE sizzling as possible. Again, mom'd be able to hear you if you just tossed the meat onto the pan. Add salt and pepper.
Stir until the meat is 90% cooked (only a few chunks of red remain). Then add the sauce. It can be the premade kind from Prego, or if you desire, add 2 cans of puree, then top up using 1 empty can of puree and filling it half way with water. The sizzling should die away.
Now you can raise the temperature, because it's all cold.
While some people love the sourness of the tomato sauce, mom and dad don't really fancy the zestiness of the sauce. So you add a little something sweet. But mom hates sugar. At the time I learned, we were on a brown sugar spree, and adding brown sugar to spaghetti sauce just sounded weird, so I went with the next best thing - a teaspoon of honey.
Slowly stir the honey into the mixture and it'll help to ease the sourness.
By this time, you might be concerned that the sauce is a little too watery (especially if you used the puree method). This is the best time to add cheese. But Oliver and Mom dont really fancy the strong smell of parmesan - while I and jasper have no qualms with coating our pasta with a THICK blanket of grated parmesan cheese.
A simple work around - i take a slice of mozzarella, or whatever kraft singles are in the fridge, tear up the slice into tiny pieces and sprinkle into the sauce. Stir the tiny pieces until they melt and it'll thicken up the sauce uniformly. Use lighter cheeses to reduce the strong smell if you dont like it. Turn the fire off.
Before you finish up, sprinkle some thyme over the top of the sauce and cover to let it stand. Sauce is done.
Hopefully, you've put the stock pot on to boil before you started the sauce. Or else everyone's gonna smell the sauce (because of the thyme) and come asking about lunch. It should be half full of water, with a generous sprinkling of salt, and a tiny bit of olive oil on top.
By this time, the water should be boiling.
Drop however much pasta into the water and stir, so that sticks slowly bend around the inside of the pot and are quickly submerged. If you wait for the pasta to soften and sink in on it's own - the tips may burn from the heat over the edge of the pot - and dad (the engineer) will immediately take note and complain.
Mom always said to cook the pasta until it looks white in the water and when you lift it up against the side of the pot, it sticks and doesnt slide down. Another way, if you're not good with heat is to use long wooden chopsticks and just stir the mixture with them. If you can FEEL the pasta hitting against your chopsticks, then they're not done.
If you can retrieve a single strand of spaghetti from the boiling pot, give it a wiggle and pull at it from both ends until it breaks. If it breaks without a sound - then it's good. Any tiny *peck* sound that you hear is a clear indication that the inside is still too firm.
Once the pasta is JUST nice, but still FIRM, you can turn the fire off and serve.
Most pasta fans will dictate the good ol' dunk-the-lot-in-cold-water thing, but I dont. See, it takes my family some time to assemble. And this is the image that I always keep in my head when making my pasta. I just leave the pot on the stove and imagine.
I imagine dad taking his time to put this tools away downstairs.
I imagine oliver slowly crawling out of bed.
I imagine jasper trying to finish the last fifa game and pausing.
I imagine mom watching the last scene of AFC before coming over.
I'd just leave the pasta on the plate on the dining table. By the time the family assembles, the pasta has pretty much cooked itself to the perfect degree of softness. And this is the timing that I always keep in my head.
Once they've all sat down in my imagination at the dining table, then only do I remove the pasta from the pot and serve. And it's always been perfect.
I don't know how make pasta any other way. And I dont want to.
Monday, August 15, 2011
conspiracy
They all seemed to have called on us at the same bloody time.
It's not been the best August for me. Workload has tripled since I shifted back to the office, the days have started earlier and ended MUCH later. And the words - well, they've gotten harsher, sharper. The deadlines are neverending, and never satisfied.
The air has gotten a lot heavier. The heart has quickened it's pace. And the freedom has all but vanished.
But despite, all this, I am convinced that I am well off.
I cannot say why, but I know through comparison.
I know there are a few of you who have changed jobs, I know some who have stayed. I know some who are suffering, and I know some who have paid.
The shoes have gotten heavier - especially this Monday. Today, they felt like lead bricks. But as I think back to last thursday, I am even more determined to carry them. I have to. I need to.
I am going to make it through this shit.
Tuesday, June 28, 2011
an egg-ception
Tuesday, June 21, 2011
a random spin
Friday, June 10, 2011
half empty, half full
Now tonight, it was a little different - maybe a little too much Red Bull.
And despite the aches and light-headed ringing in my skull, I donned my running shoes and took to the road - something I havent done for quite a while.
I make a left at the main street, stick tight to the pavement, and instead of heading towards the Thomson Medical, where I was born, I make cryptic left turn.
I say cryptic, because it takes me up a gentle slope, one that keeps winding upwards steeply, towards the place known as Tan Tock Seng Hospital. And I while fighting for breath and energy, and desperately trying to put one foot in front of the other, it suddenly hits me WHY this is cryptic in the first place - I was born in Thomson Medical, and it is likely *this* is where I will die - in a hospital.
I mean, this is where people die, seriously. Not that death isnt always serious, but it just seemed utterly surreal. And it seemed pathetic that just a few moments ago, I was fighting for breath, struggling to make it up this slope, and i thought to myself, "Man, this is KILLING me. I am DYING here."
It made me feel small. Really small. And insignificant.
But like all slopes, that road behind Tan Tock Seng comes to a peak and the slope moves away from me now, leading towards a junction in Moulmein.
And as I hit that downward slope, I pick up speed with the night breeze in my hair and the cold air in my shirt - and then I think perhaps I'm looking at it wrong.
This isn't where people go to die. This is where people go to live.
Tuesday, May 24, 2011
a study of music
There are pieces of music, that when heard, inspire some kind of action, or stir emotion, in you. No doubts there. While empowering, the truth is that they tend to follow certain patterns. It's not plagiarism, nor a copy of styles, and of course, this is a generalization, but it has been studied.
The simplest and most common is the rising crescendo type of music. It is typically associated with epic battles, or some clash of the titans kind of struggle. The first and most common one that sticks in my head is the track called Escape by Craig Armstrong.
The notes go from low, and they rise, the pitch begins to grow, until the it is at an all time high, and you can feel the fever pitch coming - example HERE. The rising crescendo is the most common type of EPIC music. Another common track example the rising crescendo is the Adagio in D Minor by John Murphy, soundtrack to the movie Sunshine.
The opposite of the rising crescendo is the falling dimineundo, or decrescendo. The music follows a V shape, a moderately high tune falling to a low tone, and then rising slightly, and then depending on the mood, may keep rising, or start to fall again. The objective is to provoke the opposite of the crescendo, which is to reflect, think back, reminisce... Example of a decrescendo that keeps rising is the soundtrack to Kick Ass, the track titled Armenian Superhero, the opening of the movie. Example of a decrescendo that falls instead, is the track called Standing Ovation, from the movie Hancock.
While the first 2 themes follow distinct wave patterns, the Crescendo being A-shaped, and the Decrescendo is V-shaped, these 2 themes are typically used for EVENTS. But not all soundtracks follow singular events. Some follow LINEAR paths - in movie terms, it is usually a journey, a serious revelationary actions in a due course. Whatever. Basically, it's in a SINE wave, ups and downs rhythmically spaced out to show a journey, a progression, movement in general. Best example I can think of would be from The Village, the track called The Gravel Road, as Ivy hurries to find medicine for an injured Lucius.
While this track is mostly calm and thought-provoking, this sine wave of peaks and valleys can also be used in fast-paced themes, take Death and Transfiguration, from the Hancock soundtrack once again - start from the 1:40 part onwards.
Anyways, there it is, a quick study of movie music, and what its trying to make us do.
Monday, May 23, 2011
popcorn 2
And this got me thinking - what movies did I watch LAST YEAR?? In fact, what GOOD movies did I watch in 2010, if any??
Thankfully, I have a bad habit of keeping movie ticket stubs.
So, again, what good memorable movies did I watch in 2010?? Well, here goes...
LEGION
I sat down on my couch one fine day and picked up a DVD that my dad had just bought. Turns out it was THIS movie.
Big mistake.
Religious zombies and angels. And Dennis Quaid. What the fuck??
THE SHINJUKU INCIDENT
Pretty remarkable movie. It was one of the first that I've watched that Jackie Chan didnt flatten an entire army of pple with his skills.
All I can remember is that it was SUPREMELY depressing, this movie. And I will never EVER eat roasted chestnuts again. Why? (Hint: They cut off a man's hand with a giant roasted chestnuts spatula. Geee-ross!)
SHUTTER ISLAND
Ah, trust good ol Leonardo to come and save the day. All this while running around an island filled with creepy crazy ppl.
The CREEPIEST scene of the year came from this movie - the scene when Leo is walking into the asylum, and there's this partially balding lady with the blackest eye I've ever seen who turns and looks at him, then silent raises her finger to her lips in a 'shuuush' motion. That totally freaked me out.
KICK-ASS
I totally boycotted this movie at first. Then the rumors began running around. Whispers were heard. Whispers echoing... that... it... was... awesome??
By the way, this movie had in my opinion, the BEST opening scene of all 2010. If it doesnt stir something in you, then you have not had a childhood.
THE A-TEAM
LoL... this movie was hardcore action, setup-for-action, more action... Nothing in it in terms of storyline. The story looks like it was picked up at the reject shop, but BOY, was it fun to watch.
INCEPTION
Once again, Leo set the standard. I watched it in the cinema. I watched it at home. I watched it on my com. I keep watching it til today. I even watch it in my dreams, within a dream.
THE KING'S SPEECH
Once I heard about Yogi Bear and Tron Legacy, I thought to myself, "It is the end of the goddamn world."
There was absolutely NOTHING intelligent to watch. It was either that retarded hat-wearing bear running around a jungle stealing honey, or actors wearing spandex with LEDs attached to them. WTF man?
It was, ironically, thanks to dad, when he came back with some DVDs and one of them, was this movie - The King's Speech. I'd been very much used to Geoffery Rush as Captain Hector Barbosa for quite some time, so it was refreshing to see him in a tidy royal outfit, giving speech lessons to the s-s-s-stuttering king of england.
A marvelous movie. A beautiful savior to the year.
Monday, May 16, 2011
I need more time
Monday, April 25, 2011
Sudoku by Esther
I can't remember how far back this was, neither what the occasion was. I don't remember what day it was, what the weather was like, and I don't even remember why I'm writing this.
What I do remember is that I was sitting in Esther's room in Price George Park, with a sudoku book in front of me.
She was distracting me with one of the puzzles while she was changing. I don't remember where we were supposed to go, only that we weren't in a hurry.
When she finally leaned over my shoulder and peeked at my progress, she gave a little giggle.
She points to the row of numbers next to each blank box on the puzzle, and asks, "What's all this?"
I reply confidently with mild annoyance, "These are the possible numbers that could be in each box. I'm gg to narrow down each box down to a few possibilities, and use probability for each box to see which number has the highest probability of being in the box."
She gives me blank stare. And this is uni student who specializes in mathematics.
"You crazy la," she snaps at me, "That will take forever."
"But every time I try to solve the puzzle," I protest, "I hit a point where I have to guess a number."
She shakes her head and wags her finger at me like a every tuition teacher I've ever known.
"Then you are doing it wrong," she laments in chinese, as she takes the pencil from my hand.
"There is no guessing in sudoku. Everything is certain. It is all there, you just don't see it."
"See what?" I snap.
"This." she proclaims, as she marks a '7' in one of the boxes.
"And because that's a '7', that means this is '5'. And this row is done, which leads to a '4'... and then..."
A few minutes later, she has completed my puzzle. And without making a single guess.
"Impossible," I mutter.
She flashes me a victorious grin and hands me back the pencil.
"Wait a minute, wait a minute," I pull her back, "Do another one, and walk me through it this time."
"Hmm ok, let's start with an EASY one," and she flips to the front of the book. I see bear cartoons and flowers printed - and I feel like a moron.
"Ok, I know that this is a '4'."
"Correct," she says.
"And that means.... this is a '3'."
"Yes."
"And and that over there is definitely a '1', because that's the last one in the box right?"
"Go on."
"And then... and then..."
Yeap, I was STUCK already. She senses it, once again, like a model school teacher. She gently lifts the pencil out of my fingers. From the side, I can see her eyes narrowing through her glasses. She lifts the end of the pencil to her mouth and taps it on her lips, which she always does when she is concentrating.
I can't resist, and I lift my head a little and give her a kiss on the cheek.
As expected she's surprised. But still half-concentrating on the puzzle, she hurriedly scribbles down a '4' in the top right hand corner box and raps me on the head with the pencil.
"LEARN hor," she states flatly with mild embarrassment showing on her face.
"I am, I am..."
She scribbles down a '2', then a '1', and the another '2'. Pause. Then a '5', then a '7', then an '8' and a '4'...
And then she stops.
"What? What's wrong?"
She doesnt say anything, until I examine the puzzle. And there is no denying it, she made a mistake and is now lost. She drops the pencil with fluster and looks for an eraser.
"Where'd we go wrong?"
"Wait wait, I'll check."
We erase number after number, backtracking the wrong steps, until finally, we arrive at the culprit - it's the '4' at the top right hand corner.
She drops her head and sighs in defeat, her hair falling onto my shoulder. I choke back a giggle, and she raps me on the head with the pencil again.
"You wanna try again?"
"No," she replies, irritated, "Too distracted already."
"Then let's go then."
She picks up her keys and heads for the door with me right behind her.
I flash a glance back at the open sudoku book on her desk, with the pencil still rolling slowly over the top page.
* * * * *
Fast forward to today.
As I finish the last number on my latest sudoku puzzle, the vehicle comes to a screeching stop. As usual, the driver almost missed my stop.
I close the puzzle on my phone and slide it smoothly into my pocket, and as I do so, I'm reminded again...
"Everything is certain. It is all there, you just don't see it."
Yeah right, and I'm still looking.